Monday, March 8, 2010

On Fashion, Part III



i. Almost all of my new clothes for spring and summer are black and I'm not even in grief. As always I spent the winter yearning for color and as always I'm back to black because it's black. It reduces the hassle. It's comfortable. It speaks volumes even when you don't intend to express anything in particular.


ii. I know I've put together a good outfit when it communicates the message that I'm not stuck-up. My shyness is often misinterpreted and I have yet to figure how to approach this problem. Until then, I'll let my clothes help me do the talking.


iii. Sometimes clothes don't talk about me but to me. I'll never forget the baroque/gothic red velvet dress I saw in Milan's Via Verri last October. I was so struck with it that I paused in the middle of the road, stopping the traffic. The dress was by Alexander McQueen.


iv. Beautiful fashion illusion. "You can have anything in life if you dress for it." Anemic faces incapable of supporting powerful stories. I prefer a Yamamoto summer dress made of white linen that clings to the body without straps or buckles like a Roman toga.


photos by Miles Aldridge

Friday, March 5, 2010

Wednesday, March 3, 2010

Cityfinity: My new blog

My new blog about cities is finally live. Check out Cityfinity!

Monday, March 1, 2010

Wanted: Spring



skirt and blouse Mojca Makuc, bag Marjeta Grošelj, blazer Marella, shoes Čevljarstvo Vodeb


A couple of flowers so that winter can go away.

Friday, February 26, 2010

Yohji Yamamoto's Dream Shop



In 2005 and 2006 Yohji Yamamoto held a 3-part exhibition in Florence (Correspondences), Paris (Juste des vêtements) and Antwerp (Dream Shop). Here's what provant.be said about it:

Masao Nihei, a close co-worker of Yohji Yamamoto, elaborated the scenography and the artistic concept for the exhibition rooms in Florence, Paris and Antwerp. A new concept was devised for each location, corresponding to the individuality of the space and the philosophy of the museum. The three exhibitions were thought out with a unique light design, using neon lights in different intensities to focus on the sculptural qualities of Yamamoto's clothes. In Florence the clothes were confronted with the baroque interior and the art collection of Palazzo Pitti; Paris displayed clothes for the first time outside the museum showcases and for the MoMu (Mode Museum) in Antwerp a Dream Shop was designed.

The number one reason I feel sad for having missed the Antwerp exhibition is that visitors could actually try on about 20 garments in special fitting rooms ...












... but at least I can live vicariously through these photos.

P.S. I'm going to launch my new blog about cities next week.