Wednesday, January 27, 2010

How I learned that nostalgia romanticizes the past


The wall of Dubrovnik

Dubrovnik was the first city I fell in love with. After spending a week there with my family in 2003, I vowed to return with a one-way ticket. Like many times before and after, my love for Dubrovnik was painful. I was so enchanted with the Mediterranean joie de vivre, old ladies in cafés with small dogs in their laps gazing into the distance as if trying to recall their lost youth, stone and marble, the hustle and bustle of restaurants on Prijeko Street and red brick roofs shining under strong sun that I wanted it to become my life. It couldn't because I had to return home, but the images of Dubrovnik's summer decadence remained etched in my mind.

When I came back a few years later, I was disappointed. Stradun, the Old Town's main street and the soul of the city, wasn't nearly as wide as I remembered and there weren't many people despite it being the peak of the season. Early in the morning I sat in a café next to the bus station and the atmosphere was beautiful in the way only Croatian coastal cities are beautiful in summer, but even more than beautiful it was mediocre. Drinking warm ice tea and watching tired tourists getting off non-air-conditioned buses, I thought, "This isn't Dubrovnik." But it was. It was just different from the fairy tale I had made up during the time of my absence, yearning to return to the city that gave me memories I couldn't forget.

It was the first time I consciously learned that nostalgia romanticizes the past. This knowing has continued to accompany me through life (I also wrote about it here) and although we have grown close due to my habit of constantly returning to my favorite places, it always surprises me with the same intensity as that morning in Dubrovnik. It is now as much a part of me as my cities. Ironically, it also appears to be one of the rare static, never-changing elements in my life even though it deals exclusively with the fleeting.


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Monday, January 25, 2010

Topshop disaster


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dress custom made, fox Almira Sadar, shoes Emporio Armani (close-up)

My friends and I went to see La Bayadère on Friday. I'm not very good with ballet because my "opera deformation" always makes me wish someone would start singing, but it wasn't boring and one of the male dancers looked exactly like one of our high school teachers wearing blue pyjamas. We are still very silly sometimes, so things like that can easily make our evening.

I had this dress custom made by a local seamstress after having tried on a similar one at Topshop. It was one size too small and at least 15 centimeters too short, so upon seeing me in the dressing room my mom remarked that I looked "cheap". This is probably only my millionth little black dress.


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Tuesday, January 19, 2010

On hotel rooms


The Regent Esplanade Hotel, Zagreb

I have a habit of taking photos of hotel/pension rooms before I have desanctified their immaculateness by placing my belongings all over. It's probably because I never see such neatness otherwise, my own room being as estranged from order and logic as possible. I like to have everything perfectly folded, but I won't do anything for it. On the rare occasions when I do tidy my room, I move stuff only to discover I have misplaced it later when I need it. If I hadn't gone against the natural state of things, it wouldn't have taken me 2 years to find my pastel crayons on the highest shelf in my closet.

Hotel rooms don't subject you to that confusion.


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Sunday, January 17, 2010

A letter-writing catharsis in Zagreb


Regent Esplanade Hotel, Zagreb

I wrote a letter to someone yesterday, the kind you don't intend to send. Afterwards I went to Lisinski to see The Metropolitan Opera's broadcast of Carmen and during the fortune-telling scene in Act 3 I realized keeping said letter would only mean prolonging my misery. So when I returned to my hotel room later that night, I tore it to pieces and threw them away. The words describing events that once changed the course of the universe now inhabit an unknown location in Zagreb and I finally have my sense of closure.


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Thursday, January 14, 2010

Subtle charms of Venice


Venice

Venice


One of the films I'd rather be in right now.


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Sunday, January 10, 2010

Out and about





jacket Mojca Makuc, boots ?, bag Marjeta Grošelj, pants R Exclusive, gloves Marella


I am much happier now, thank you.





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Monday, January 4, 2010

Loire Valley, France







These photos were taken on a school trip to France (we stayed in Tours, one of the historic towns of the Loire Valley, "the cradle of the French language") in May 2007. Having found the negatives a few days ago by accident I realized I had never scanned most of them and I had to attend to that mistake immediately. It had a very Proustian effect on me, especially when I opened the .doc file containing the report we had to write for our French class afterwards. Its honesty surprised me; I consider myself to be a more open person now than I was in 2007, yet if I were to write that report today, I would probably omit most of what I chose to include in the original version and focus on less personal things. It escapes me how at the time I was not in the least afraid of anyone else but me reading those metaphors.

What I find most interesting about the photos is the (illusory) sense of carefreeness they exude. I know that nostalgia romanticizes the past and I know that despite being in France (or precisely because of it -- our trip certainly did have a fair share of drama) each of us had their problems to cope with, but I think that somewhere along the way we became completely devoid of the ability to be this carefree ever again. I always say I am content to live Here and Now and wouldn't trade it for other times and places, but I often feel as if some things progress too rapidly for me to be able to stay present in the moment and not fall behind. Perhaps I would prefer not to assume the responsibility that comes with age.





« Il n’ya pas de « était ». Le temps est. Si « était » existait, il n’y aurait ni soufferance, ni tristesse. » (Faulkner)







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